![]() ![]() You toggle between them by pressing and holding the right-hand switch. There are two modes of operation: Preset and Play. ![]() MIDI In and Out sockets can be found on the unit's right-hand side. The Space's rear panel features a socket for a 9V external power supply, a USB port, quarter-inch inputs for an expression pedal and aux switch, a switch to toggle between amp and line-level output, stereo output and input sockets (again on quarter-inch jacks), and a switch to set the input between guitar and line level. Neat! The status is stored with each preset, and you can easily spot those that are sync'ed, thanks to the flashing LED. Another push and you're back to working in milliseconds. One push and time-related controls are rendered as divisions of the current tempo. I re-read that part of the manual before trying it, but the LED is indeed a switch. In a departure from previous Stomp Box models' trick of toggling tempo sync by pushing the encoder, the Space has a pushable tempo LED. When stepping through them with a footswitch - perhaps after choosing half a dozen prime candidates for a gig - this limit is very welcome. And if 100 seems a lot, the number can be limited. Presets can alternatively be selected via MIDI or by a switch, so there should be an option to meet most needs. Turning the encoder spins through the presets, but it's a process that feels a little ponderous at times. Together they select and modify effect patches (referred to as presets). The portal to experimentation with the Space is its panel of 10 knobs and an encoder. A Digitech FS300 or equivalent triple switch should also work nicely. Actually, the latter can handle up to three auxiliary switches when you combine its stereo jack socket with a little ingenuity. There's a USB 2 port on hand to transfer software updates and MIDI data, and inputs for an expression pedal and footswitch are fitted. Signal and peak LEDs do what they're supposed to, and power is supplied via a 9V adaptor (batteries are not an option). The input choices are either guitar or line-level, and there's a decent amount of headroom to cope with all manner of signals, whether from instruments or the effect sends of a mixer. In common with its siblings, the Space is comfortable with purely mono operation, or mono input to stereo output, or stereo all the way. Not all my MIDI cables will fit into these, but it's worth rummaging around to find at least one that does: sync'ing Eventide effects to MIDI clock is a delight that shouldn't be missed. There are so many sockets and connections that they extend beyond the rear and to the right-hand side, the overflow being two rather deeply recessed MIDI ports (In and Out/Thru). Patch names can be up to 12 characters, which is helpful when navigating the 100 that are on board. Its display is larger too, running almost the full length of the unit, red letters standing out starkly against the blackness of Space. Thanks to a sombre colour scheme, it's visually different to the rest of Eventide's Stomp Box range. Indeed, that tank-like metal case and those sturdy switches would probably come off best in most accidental studio collisions. Weighing in at 1kg and with a solid rubber base, this pedal is ready for a bit of a kicking. The Final FrontierĬompact and rugged, the Space is equally happy on the floor or on your desktop. It has depths that should appeal to the most intrepid cosmic explorers. ![]() And don't let the appearance fool you: this innocent-looking pedal is not the exclusive domain of guitarists, whatever they might claim. This small black box has darkness and mysteries of its own, some of which are lifted from Eventide's own megabucks processors. It also happens to be the name of Eventide's latest stomp box, described as "Reverb and Beyond”. Come with us on a journey through time and space, as we explore the mysteries of Eventide's remarkable new effects pedal.Įven those with no interest in astronomy will know that Space is dark and full of mystery. ![]()
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